silentexception (@silentexception@mastodon.social)
RE: https://mastodon.social/@silentexception/115153726626979002
Cette photo n'est pas du tout retouchée. Et mon appareil n'a pas de fonction assez perfectionnée pour modifier l'image. Mais je regardais les #iphone 17 pro, et autres, eux si, ils ont de l'IA partout dedans, y compris la caméra.
Doit-on mettre "AI generated" pour des photos prisent avec des appareils comme ça, où les images, les contrastes, les filtres, semblent trop parfaits, voir irréels? #mastodon #IA #technologie
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ishii00141 (@ishii00141@mastodon.social)
#Mastodon
返信文章を入力時に返信元の文章が夢る症状は、返信元の文章が長いだけではダメみたい。揺れるための何らかの条件が必要。その条件に付いては不明。
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hamoid (@hamoid@genart.social)
In #mastodon you click on Media in your profile, scroll to find the image you are looking for, click on it, then... no way to share the post with that image?
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thoralf (@thoralf@soc.umrath.net)
Während #Amazon das halbe Internet in den Abgrund zu reißen scheint, läuft meine #Mastodon-Instanz entspannt weiter und mein #Homeassistant hat seit einer gefühlten Ewigkeit keine defekten Entitäten mehr.
Also bei mir ist alles peachy. 😎
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__aito (@__aito@mstdn.tokyocameraclub.com)
天空の秋桜
#東京カメラ部
#tokyocameraclub
#mastodon
#マストドン
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ishii00141 (@ishii00141@mastodon.social)
#Mastodon
リプライを書く時に、投稿フォームの上に表示される返信元の投稿の文字が揺れる。
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ErickaSimone (@ErickaSimone@mastodon.social)
America is cooked, and #mastodon will always be the last choice because of weirdo fake allies like @funcrunch, who pretends to engage pacifism, but harasss black women all day online for attention, hoping to redirect views to their shitty blog.
Creeps who treat random Black women on the internet like their own personal confession booth, then act surprised when we refuse them free emotional labor, we don’t agree with their stupidity or coddle their poor decisions.
You’re an abuser.
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sanguisugabogg-hideous-aftermath-review (@sanguisugabogg-hideous-aftermath-review@www.angrymetalguy.com)
Sanguisugabogg – Hideous Aftermath Review
By Owlswald
This review almost didn’t happen. As the recently demoted were scraping the last bit of slime off the bottom of the skull pit to prepare for the new haul of Fall promo, we inadvertently found Sanguisugabogg’s third full-length, Hideous Aftermath, submerged in the sludgy remains of two ex-n00bs. Mistakes were made for which we do do not apologize. These Ohio-based purveyors of grimy, gore-inspired brutal death may have a name worthy of the national Spelling Bee and a logo that looks like blood-soaked, tangled string, but these chaps know how to dish out the goods. Spawning from Maggot Stomping grounds in 2019, Sanguisugabogg’s tongue-in-cheek brutality has raised them up to the forefront of this fetid genre. After a debut EP built considerable buzz, Diabolus and Felagund found follow-up LPs Tortured Whole and Homicidal Ecstasy to be forthright and fun slabs of brutal death. Hideous Aftermath now signals a shift, honing their caveman chugs to embrace more expansive horizons, but in the end, it’s still big gory, dumb fun.
On Hideous Aftermath, Sanguisugabogg sheds the muddy textures of 90s death for a significantly sharper and more organic sound. This is largely thanks to stellar production by Kurt Ballou (Converge, Nails). After long self-producing, Sanguisugabogg trusted Ballou’s expertise1 to elevate their sound, ditching the split low-end signal of the guitar in favor of real bass (played by guitarists Cedrik Davis and Drew Arnold) to add a clearer, punchier low-end. The result is a loud, full mix that still allows every nuance of the instrumentation to shine through. From Davis and Arnold’s chunky, downtuned guitar grooves, to Devin Swank’s stomach-churning gutturals, to Cody Davidson’s flashy, intricate kit work (including the trademark snare ping), everything hits like a fucking tank. Tracks like “Erotic Beheading,” “Abhorrent Contraception” and “Rotted Entanglement” Vomit Forth a platter of the ‘Bogg’s familiar chugs and slams, while facets of Vile Rites progressiveness (“Sanctified Defilement”), Godflesh-tinged industrial (“Replusive Demise”), sludgy drawls (“Paid in Flesh”) and laser blasts (“Semi Automatic Facial Reconstruction”) show the foursome at their boldest and most creative. Despite this internal split, Hideous Aftermath is a welcome evolution for Sanguisugabogg and a good time to boot.
Let’s curb any potential misconceptions: while Hideous Aftermath finds Sanguisugabogg exploring new sonic territory, it’s first and foremost the same ugly, blood-thirsty, brutal death that existing fans know and love. Across ten songs, the ‘Bogg bludgeons the listener with an unrelenting assault of riffs, blasts, breakdowns and half-time stomps. Moments of respite are few before the artillery fire of Davidson’s brilliant, anchoring rhythms resumes the barrage. Davidson’s drumming remains the top highlight, elevating Sanguisugabogg’s songwriting with technical aggression through flawless double bass runs, Bran Dailor-esque (Mastodon) snare rolls and violence-inducing bell work. Standout front-half tracks like “Abhorrent Contraception,” “Rotted Entanglement” and “Ritual of Autophagia” showcase the group’s strongest material to date. Here, pummeling brutality meets discordant melodies (“Ritual of Autophagia”), swirling arpeggiations (“Rotted Entanglement”) and djenty gallops (“Felony Abuse of a Corpse”). Coupled with the injection of high-caliber guests,2 these new twists and turns give Hideous Aftermath’s material a different, fresh feel and I’m here for it.
While the first half of Hideous Aftermath proves Sanguisugabogg is capable of taking calculated steps forward, the record’s overall impact is weakened by its excessive 47-minute length and hesitant execution in the final stretch. The record feels front-loaded, with later tracks “Erotic Beheading,” “Semi Automatic Facial Reconstruction,” and “Sanctified Defilement” hindered by conventionality, lacking the strength and progressiveness of the album’s stronger material. Accordingly, Hideous Aftermath would have benefited from trimming two or three tracks to distill its best ideas. The ambitious industrial interlude “Repulsive Demise,” for example, feels awkward and out of place, while the sludgy ending to the otherwise solid “Pain of Flesh” drones on unnecessarily for four minutes, further underscoring the pacing issue.
But make no mistake—Hideous Aftermath is the best material Sanguisugabogg has released to date, largely succeeding in balancing evolution with tradition. The album confidently delivers the ‘Bogg’s trademark slams and neck-snapping grooves that longtime fans expect, while integrating new twists and turns that showcase a newfound artistic confidence. Though the final stretch wades too far into the deep end and keeps me from awarding Hideous Aftermath a higher score, the record sets a clear path for future greatness. It’s no longer a question of if Sanguisugabogg will ascend, but when.
Rating: Good!
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Century Media
Websites: sanguisugabogg.bandcamp.com | sanguisugabogg.com | facebook.com/sanguisugabogg
Releases Worldwide: October 10th, 2025
#2025 #30 #AmericanMetal #CattleDecapitation #CenturyMedia #Converge #DeathMetal #DefeatedSanity #FullOfHell #Godflesh #HideousAftermath #Mastodon #Nails #Oct25 #PeelingFlesh #Review #Reviews #Sanguisugabogg #VileRites #VomitForth
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tramtrist (@tramtrist@famichiki.jp)
When all thats left are the cockroaches rest assured #famichiki #mastodon network will also still be available
God help us all
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mustikkasoppa (@mustikkasoppa@mementomori.social)
Onneksi Mastodon toimii <3
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trinux (@trinux@masto.ai)
Una cosa muy divertida (léase con ironía, por favor) de las redes sociales "al margen del sistema" como puede ser la propia #Mastodon (emergentes al mismo tiempo y posibilidad real de crecer) es los usuarios radicales que te boicotean la posibilidad de crecer. Te critican tonterías comparado con tal o cual mierda de proyecto totalmente irrelevante.
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