politipet (@politipet@piaille.fr)
Courtesy of #Dowser — 13/10/2025
il faudrait faire entrer les Mastos dans le Saint Graphique...
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sheislaurence (@sheislaurence@mastodon.social)
#feditips question: is it possible to control the display size of images and videos on #Mastodon, other than by changing the size of the asset itself? It always look so gigantic. Alternative: give admins the ability to change the default display size? Nudge at @Mastodon@mstdn.social @Mastodon
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w (@w@fair.tube)
#fediday2025 Andy Piper - For Freedom and Sovereignty (EN)
https://fair.tube/w/7YPEUSWEVBcaro25Wcoc5N
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2025 (@2025@telescoper.blog)
Beginning Astronomy
I have a two-hour lecture coming up after which I have immediately to dash to the airport in order to embark on a trip to a foreign country, so in lieu of a proper post here is a nice cartoon I saw on Mastodon.
https://tech.lgbt/@Natasha_Jay/115362148918938023
This also allowed me to check whether the embed facility works, which it seems to do. This actually gives me an idea about how to speed up my weekend updates, which I might try out on Saturday.
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f6162 (@f6162@mastodon.social)
Irgendwie fremdel ich ja noch immer ein wenig mit #mastodon. Die Darstellung im Browser motiviert auch irgendwie nicht die Nutzung. Hat jemand eine Empfehlung für einen alternativen Client?
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saigengohan (@saigengohan@fedibird.com)
今晩の献立は…
🐣玉子入りのパッキーマオ
🐔サテ風ピーナッツバターチキン
🥣大根のエスニックスープ
ピリッとパンチの効いた味が恋しくなって、今夜はエスニックメニューで晩ごはん
甘辛味にピーナッツのコクがプラスされたタレを絡めた東南アジアの焼鳥、サテ風に仕上げたチキンも幸せの味でした
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usagi_acid (@usagi_acid@mastodon.social)
♡u∫agi幻覚gåłLerŸ➋➎➍ . . ♡u∫agi幻覚gåłLerŸ ιʂ 𝕒 𝕔𝕠𝕝𝕝𝕖𝕔𝕥𝕚𝕠𝕟 ơʄ ᐯIᔕᑌᗩᒪ 🄰🅁🅃🅆🄾🅁🄺🅂 𝒃𝒚 ♡u∫agi幻覚∀∁ⓛᙌ✬ . [usagigenkakuacid] รٱกƈﻉ ➋⓿➊➐ . . #🐰 #🐇 #usagi #usagiacid #art #music #digitalart #digitalartist #crypto #cryptoart #cryptoartist #nft #nftart #nftarti̇sts #aether #aesthetic #aethetics #ether #vaporwave #postvaporwave #electronic #アート #nftアート #nftproject #artcollection #nftcreator #internet #nftcommmunity #ａｅｓｔｈｅｔｉｃ #うさぎ #music #bandcamp #collage #ウサギ #mastodon #マストドン
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fediverse (@fediverse@app.wafrn.net)
ah. so that’s why i can’t see my .art account from here 🤡
i agree with their 0 tolerance policies so … not a good look here lads, just saying
#shuppose-i-must-do-some-digging-then #wafrn #mastodon
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p (@p@pixelfed.social)
Here are 5 of im pretty sure 😤 pictures of my most popular mastodon posts 🏆🏆🏆 from months or probably a year
ago who knows haven’t really check them at all intill now 😓🤔💭
#mastodon #mastodonworld #mastodongaming #photography #viral #photos #cool #interesting #videogaming #lifestyle #pictures #fypage #TuesdayVibe #tuesdayvibes #tuesdaymotivation #tuesday #ContentCreators #contentcreation #contentcreator #content #gamingtop10 #gamingworld #gamingphotos
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RxBrad (@RxBrad@mastodon.rxbrad.com)
RE: https://mastodon.rxbrad.com/@RxBrad/115327619131537485
I finally figured out what I needed to do to upgrade Glitch-Soc past the 2025-09-30 nightly.
I had to run DB migrations with the SKIP_POST_DEPLOYMENT_MIGRATIONS=true environment variable set. Like what we had to do with the v4.4.0 upgrade: https://github.com/mastodon/mastodon/releases/tag/v4.4.0
#mastodon #GlitchSoc #SelfHosting
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isotope239 (@isotope239@mastodon.online)
This conversation is a perfect example of why I enjoy Mastodon so much. #Mastodon #Humor #Humour
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tombs-feral-darkness-review (@tombs-feral-darkness-review@www.angrymetalguy.com)
By Kenstrosity
This is my first time reviewing Brooklyn’s Tombs, but it’s not my first time experiencing them. Each year that a new Tombs drops, I feel the hype machine churning from the community, which I love, disinterring my interest in the sludgy, blackened call Tombs is now known so well for. It’s been five years since the somewhat divisive Under Sullen Skies first graced my ears, and now I take over for Doom_et_Al to serve at the foot of Feral Darkness.
Tombs pushes forward with much of their confident, swaggering style intact. A boisterous mix of Black Royal groove, Oathbreaker vitriol, and a touch of that post-tinged Inter Arma nastiness, Feral Darkness makes a strong case for the style. A burbling, clanging bass tone and stomping drum kit drives this record with greater heft than I experienced on previous installments, evoking a deep-seated, monstrous rage that rattles my bones. Meanwhile, a frightening howl and a chanting croon ensorcells the spirit in much the same way as those who call upon eldritch forces maleficent and omnipotent, Sulphur Aeon. Filling the space between, a crunchy guitar tone lightly dusted with a moldy, post-metal fuzz envelops my senses and draws a sense of warmth into my flesh.
It’s a highly successful sound, one that is sometimes relegated to songwriting that doesn’t take full advantage of its power. Admittedly, Feral Darkness launches in fine form, with three muscular, riff-laden numbers that, while all falling somewhere inside the mid-paced category of speed, nonetheless propel with force. However, somewhere between the final third of the gloom-and-doom “Granite Sky” and the charred and post-y “Last Days,” monotony sets in. A lack of variation in pace wears on the mind, and a dearth of creative songwriting or exciting ideas siphons impact and memorability from the first half. As such, in moments where my time is precious, I struggle to commit to the rest of Feral Darkness’ bloated 50-minute runtime.
With time and some patience, I learned to remind myself that at this exact moment, a minor miracle occurs. “The Wintering” explodes in a burst of violent velocity capable of beheading those weak of upper spine, and Feral Darkness finds firm footing at last. The hits keep coming, too, as evil cuts like “Black Shapes” and the deathly “Wasps” double down on the blackened side of Tombs’ multifaceted personality. Layered tremolos and striking energy form a ashen shell that coats the final third of the record, as if to signify the final evolution of Feral Darkness’ story. Consequently, a new sense of scale builds a formidable presence that makes me forget my earlier quibbles, at least for a moment. Latecomer “Nightland” reprises those issues that plagued the first half, bloating the runtime with seven minutes of uninspired eeriness and a lack of compelling songwriting to go with it.
Tombs unearthed every tool they had in their long-established kit to craft Feral Darkness. I respect that level of versatility, and at the end of the day, the result is enjoyable, albeit a little choppy. Feral Darkness’ best material handily saves the record from falling down the pit of boredom, but it arrives almost too late. If they focused their efforts on their strongest ideas and left fluffy filler like “Nightland,” “Last Days,” or superfluous closing outro “Glaeken” on the cutting room floor, Tombs would’ve had an unstoppable, destructive monster to showcase to the world. As it stands, Feral Darkness will certainly please established fans of the band or the style, but might not convince skeptics or casual passers-by. It’s up to you to decide in which camp you belong.
Rating: Good
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Redefining Darkness
Websites: tombscult.bandcamp.com | facebook.com/TombsBklyn
Releases Worldwide: October 17th, 2025
#2025 #30 #AmericanMetal #BlackMetal #BlackRoyal #FeralDarkness #Hardcore #InterArma #Mastodon #Oathbreaker #Oct25 #PostMetal #RedefiningDarkness #Review #Reviews #Sludge #SludgeMetal #SulphurAeon #Tombs
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